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regina josé galindo ~ boda galindoherrera a puño limpio himenoplastia el peso de la sangre 2003 ella permanece proxémica ¿quién puede borrar las huellas 2002 sin título hasta ver lucha 2001 autocanibalismo angelina piel 2000 todos estamos muriendo no perdemos nada con nacer valium 10ml 1999 esperando al príncipe azul el cielo llora tanto
Regina José Galindo Wikipedia ~ Regina José Galindo born August 27 1974 is a Guatemalan performance artist who specializes in body art She was born in Guatemala City Early work Remarkably for an artist who is known for the political themes of her work Galindo grew up in a lower middle class household
Regina José Galindo Guggenheim ~ Born in Guatemala City in 1974 artist Regina José Galindo strives to acknowledge the years of civil war endured by her country We use cookies to deliver our online services and to provide more personalized services to you
Regina José Galindo “I Am Not A Vulnerable Woman” ~ Regina José Galindo was born 1974 in Guatemala City in the middle of the civil war Today she is one of the most provocative and renowned artists in Latin America At the past documenta 14 in Kassel Germany 2017 Galindo presented three pieces
Regina José Galindo Center for Latin American Studies ~ Regina José Galindo COMUNIDAD Performance Renowned Performance Artist Invites Latino Community to Collaborate on a New Work Regina José Galindo an internationally recognized performance artist from Guatemala will be in residence at Vanderbilt University the first two weeks of November Galindo uses her own body as artistic material to show how state violence impacts the bodies of women and…
Regina José Galindo – Display at Tate Modern Tate ~ Regina José Galindo Who can erase the traces 2003 Courtesy of the Artist and Prometeogallery di Ida Pisani Milan Lucca One of the most influential performance artists of her generation Galindo makes work that reflects on power relations often by using her own body
Regina Jos Galindo – Art in America ~ These are some of the brutalities that Guatemalan performance artist Regina José Galindo recites in her seventyminute performance La verdad The Truth 2013 her words periodically interrupted by a dentist who injects novocaine into her gums until eventually she is unable to speak
Regina José Galindo – The Brooklyn Rail ~ Regina José Galindo’s practice is the embodiment of Akira Kurosawa’s dictum “To be an artist means never to avert one’s eyes” and she challenges the viewer to do the same even as she’s carving the word “perra” “bitch” into the flesh of her thigh
Regina José Galindo documenta 14 ~ —Regina José Galindo In Regina José Galindo’s Rescue 2017 the action is heard before it is seen Performed in Athens Galindo’s action is a response to the misinformation characterizations of weakness and demonstrations of power enmeshed in the EU bailout measures For many “The rescue is more dangerous than the crisis itself”
Regina José Galindo Desecho 2017 13 minutes ~ Video from live performance by the artist at Zona MacoMéxico Arte Contemporáneo Mexico City in March 2017 Organized by the Getty Foundation on the occasion of Pacific Standard Time LALA